Edits – VOODOOCUTS
Voodoo Cuts: A Deep Dive into the Darker Side of Hip-Hop
Voodoo Cuts, also known as “dark trap,” isn’t a genre, but a subgenre of trap music characterized by its haunting, often unsettling atmosphere. Think ominous synths, distorted basslines, and chilling vocal samples – it’s the sound of the urban underworld, dripping with paranoia and menace.
The Roots:
While the exact origin is murky (pun intended), the seeds of Voodoo Cuts were sown in the early 2010s, as trap music itself was blossoming. Artists like Lil B and Young Thug were already experimenting with offbeat sounds and dark imagery, paving the way for the genre’s emergence.
Key Players:
- Gucci Mane: The “Trap King” himself, with his drug-fueled tales and booming, distorted vocals, was a major influence. He even released an album called “The State vs. Radric Davis,” emphasizing the criminal undertones inherent to the subgenre.
- Future: His bleak and melancholic lyrics coupled with heavy, industrial-style beats helped solidify the Voodoo Cuts sound. His song “Mask Off” is a prime example – with its ominous synth melody and auto-tuned vocals, it practically defines the genre.
- Travis Scott: With his dark and introspective music, often punctuated by distorted vocal samples and unsettling sound design, Travis Scott became a central figure in the Voodoo Cuts scene.
Funny Facts:
- Lil B’s “Based God” persona: Lil B, known for his quirky persona and unconventional music, is revered by some as the “Based God,” a figure of cosmic power and supreme weirdness. He’s even credited with a number of bizarre and seemingly inexplicable occurrences, adding to the genre’s uncanny aura.
- Gucci Mane’s “iced out” teeth: Gucci Mane’s penchant for heavy jewelry isn’t limited to chains and rings – he even had his teeth completely iced out, adding to his already intimidating persona.
- Future’s “Codeine” addiction: Future’s music often reflects his personal struggles, including his addiction to the cough syrup “Codeine.” He even titled a track after it, further solidifying the genre’s association with drug culture.
The Future:
Voodoo Cuts is constantly evolving, pushing the boundaries of sound and aesthetics. From the eerie soundscapes of Playboi Carti to the experimental production of Amine, the subgenre continues to explore the darker corners of trap music.
In Conclusion:
Voodoo Cuts isn’t just about menacing beats and dark lyrics. It’s a cultural phenomenon that reflects the anxieties and realities of a generation. It’s about the shadows, the unknown, and the unsettling allure of the dark side. And while it might be a bit unsettling at times, it’s undeniable that Voodoo Cuts is a captivating, and uniquely compelling, sound.