
Brother Louie – Dennis Bovell
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What is Toasting?
Imagine a rhythmic, lyrical poem, delivered with a powerful voice and infectious energy. That’s toasting, a uniquely Jamaican form of verbal artistry.
Rooted in the traditions of “kumina” drumming and “pocomania” religious practices, toasting emerged in the 1950s. Its early pioneers, like Count Machuki and U-Roy, honed their skills in the vibrant streets of Kingston. They were masters of wordplay, using rhymes, metaphors, and witty insults to captivate audiences.
From Streets to Studio
By the 1970s, toasting found its way into the recording studio. Producers like Lee “Scratch” Perry, a master of sonic experimentation, recognized its potential. They integrated toasting with reggae’s rhythm sections, creating a fusion of music and spoken word.
The Rise of the “DJ”
The term “DJ,” originally short for “disc jockey,” took on a whole new meaning in Jamaican music. Toasters like Big Youth, I-Roy, and Dennis Alcapone became pioneers of the “DJ” style, weaving narratives and improvisations over instrumental tracks. Their witty wordplay and storytelling made them instant stars.
Funny Facts:
Beyond Reggae
The influence of toasting extended beyond reggae, finding its way into hip hop and other genres. The legendary Grandmaster Flash of the Furious Five acknowledged the impact of toasting on early hip hop, stating that it inspired their lyrical style.
A Legacy of Words and Rhythm
Today, toasting remains a vital part of Jamaican culture. From the streets to the international stage, it continues to captivate audiences with its energy, wit, and unique blend of music and poetry. It’s a testament to the power of the spoken word, a legacy of creativity that continues to inspire generations.
Brother Louie – Dennis Bovell